From
the Red Room in Twin Peaks to Club Silencio in Mulholland Drive, the work of
David Lynch contains some of the most remarkable spaces in contemporary
culture. Richard Martin's compelling study is the first sustained critical
assessment of the role architecture and design play in Lynch's films. Martin
combines original research at Lynchian locations in Los Angeles, London and L
dz with insights from architects including Adolf Loos, Le Corbusier and Jean
Nouvel and urban theorists such as Jane Jacobs and Edward Soja. In analyzing
the towns, cities, homes, roads and stages found in Lynch's work, Martin not
only reveals their central importance for understanding this controversial and
distinctive film-maker, but also suggests how Lynch's films can provide a
deeper understanding of the places and spaces in which we live.
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