791.43
GRI
From script
analysis to post production, here is the all-inclusive guide to directing for
film and television. Written by noted director-producer Myrl Schreibman,
"The Film Director Prepares" offers practical insights on film making,
using real-life examples directors won't learn in school. With topics including
working with actors, using the camera to tell a story, setting mood, staging,
maintaining performance levels, covering shots, and directing for different
mediums, "The Film Director Prepares" will leave new directors truly
prepared for their careers.
Cinematography : theory
and practice : image making for cinematographers and directors
791.43 BRO
There's more to
being a DP than holdng a light meter! With this book as your guide, you are on
your way to learning not only about the equipment and technology, but also
about the concepts and thought processes that will enable you to shoot
professionally, efficiently, and with artistic mastery. A leading book in the
field, Cinematography has been translated into many languages and is a staple
at the world's top film schools. Lavishly produced and illustrated, it covers
the entire range of the profession. The book is not just a comprehensive guide
to current professional practice; it goes beyond to explain the theory behind
the practice, so you understand how the rules came about and when it's
appropriate to break them. In addition, directors will benefit from the book's
focus on the body of knowledge they should share with their Director of
Photography. Cinematography presents the basics and beyond, employing clear
explanations of standard practice together with substantial illustrations and
diagrams to reveal the real world of film production. Recognizing that
professionals know when to break the rules and when to abide by them, this book
discusses many examples of fresh ideas and experiments in cinematography.
Covering the most up-to-date information on the film/digital interface, new
formats, the latest cranes and camera support and other equipment, it also
illustrates the classic tried and true methods.
791.43 ADO
Those creative
professionals seeking the fastest, easiest, most comprehensive way to learn
Adobe Premiere Pro CC choose Adobe Premiere Pro CC (2015 release) Classroom in
a Book from Adobe Press. The 19 project-based lessons in this book show readers
step-by-step the key techniques for working in Premiere Pro. Readers learn to
take a project from beginning to end where they'll get the basics on things
like organizing media, using audio, creating transitions, producing titles, and
adding effects. Once they have the basics down, they'll learn how to take their
projects further by sweetening and mixing sound, compositing the footage,
adjusting color, compressing and exporting files, and much more. (( Adobe
Premiere Pro CC (2015 release) offers many new capabilities to the editor who
needs quick results and this book covers the workflows required to get the job
done. Best of all, the companion DVD (also available as an online download)
includes lesson files so readers can work step-by-step along with the book. The
online companion files include all the necessary assets for readers to complete
the projects featured in each chapter as well as ebook updates when Adobe
releases new features for Creative Cloud customers. And new to this release,
all buyers of the book get full access to the Web Edition: a Web-based version
of the complete ebook enhanced with video and interactive multiple-choice
quizzes.
791.43 DAN
The Technique
of Film and Video Editing provides a detailed, precise look at the artistic and
aesthetic principles and practices of editing for both picture and sound.
Because editing is about more than learning a specific software program, this
book focuses on the fundamentals of editing as art. Analysis of photographs
from dozens of classic and contemporary films and videos provide a sound basis
for the professional filmmaker and student editor.
This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This edition includes brand new chapters covering the goals of editing, including editing for narrative clarity, subtext, aesthetics, and dramatic emphasis, all showing how to evoke specific audience responses. Some of the new films to be discussed include A History of Violence, Atonement, The Departed, Forgetting Sarah Marshall, MIchael Clayton, and more.
This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This edition includes brand new chapters covering the goals of editing, including editing for narrative clarity, subtext, aesthetics, and dramatic emphasis, all showing how to evoke specific audience responses. Some of the new films to be discussed include A History of Violence, Atonement, The Departed, Forgetting Sarah Marshall, MIchael Clayton, and more.
791.43 PEA
There are many
books on the technical aspects of film and video editing. Much rarer are books
on how editors think and make creative decisions.
Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains:
New chapters on collaboration and "editing thinking";
Advice on making onscreen drafts before finalizing your story
Tips on how to create and sustain audience empathy and engagement;
Explanations of how rhythm is perceived, learned, practiced and applied in editing;
Updated discussions of intuition, structure and dynamics;
An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.
Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman’s Cutting Rhythms offers an in-depth study of the film editor’s rhythmic creativity and intuition, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film. While respecting the importance of intuitive flow in the cutting room, this book offers processes for understanding what editing intuition is and how to develop it. This fully revised and updated edition contains:
New chapters on collaboration and "editing thinking";
Advice on making onscreen drafts before finalizing your story
Tips on how to create and sustain audience empathy and engagement;
Explanations of how rhythm is perceived, learned, practiced and applied in editing;
Updated discussions of intuition, structure and dynamics;
An all-new companion website (www.focalpress.com/cw/pearlman) with video examples and links for expanding and illustrating the principles of key chapters in the book.
791.4302330922 TUO
A striking,
design-led reference book. A-Z Great Film Directors features Andy Tuohy's
portraits of 52 directors significant for their contribution to cinema
including kings of world cinema Wong Kar-Wai and Akira Kurosawa, arthouse
pioneers Fritz Lang and David Lynch as well as the often under-appreciated
female directors Kathryn Bigelow and Jane Campion.
With text by film journalist Matt Glasby, each director's entry will also have a summary of the essential things you need to know about them, why they're important, a list of their must-see films, and a surprising fact or two about them, as well as images of their key films throughout. So whether you're already a film afficionado, or looking for a helpful cheat to pass convincingly as an arthouse fan, you'll love this guide to international directors, past and present.
With text by film journalist Matt Glasby, each director's entry will also have a summary of the essential things you need to know about them, why they're important, a list of their must-see films, and a surprising fact or two about them, as well as images of their key films throughout. So whether you're already a film afficionado, or looking for a helpful cheat to pass convincingly as an arthouse fan, you'll love this guide to international directors, past and present.
791.430233092 KUB
The Kubrick
files from the archives of cinematic genius. In 1968, when Stanley Kubrick was
asked to comment on the metaphysical significance of 2001: A Space Odyssey, he
replied: It’s not a message I ever intended to convey in words. 2001 is a
nonverbal experience...I tried to create a visual experience, one that bypasses
verbalized pigeonholing and directly penetrates the subconscious with an
emotional and philosophic content. Now available as part of our Bibliotheca
Universalis series, The Stanley Kubrick Archives borrows from the director s
philosophy. From the opening sequence of Killer’s Kiss to the final frames of
Eyes Wide Shut, it allows the masterful visuals of Kubrick s complete films to
impress through a sequence of compelling, mesmerizing stills. We uncover
Kubrick s creative process through fascinating archival material, including set
designs, sketches, correspondence, documents, screenplays, drafts, notes, and
shooting schedules. Accompanying the visual material are essays by noted
Kubrick scholars, articles written by and about Kubrick, and a selection of
Kubrick s best interviews. The result is a visual, archival, and scholarly
journey through masterworks of 20th century cinema and the meticulous mind of
the director behind them.
791.43025092 LAM
Oscar-winning
production designer Peter Lamont worked behind the scenes on 18 James Bond
films, beginning with the 1960s classics starring Sean Connery and George
Lazenby. From the 1980's on-wards he was the production designer of the films
starring Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig. Along
the way, he worked with director James Cameron and contributed to The Ipcress
File and Chitty Chitty Bang Bang, some of the other films made by Bond
producers Albert R Broccoli and Harry Saltzman. The Man With the Golden Eye is
a richly illustrated memoir that provides an unparalleled insight into some of
the best-loved films ever made.
791.4353 BER
Documentary
Storytelling has reached filmmakers and film goers worldwide with its unique
focus on the key ingredient for success in the growing global documentary
marketplace: storytelling. This practical guide reveals how today’s top
filmmakers bring the tools of narrative cinema to the world of nonfiction film
and video without sacrificing the rigor and truthfulness that give
documentaries their power. The book offers practical advice for producers,
directors, editors, cinematographers, writers and others seeking to make
ethical and effective films that merge the strengths of visual and aural media
with the power of narrative storytelling. In this new, updated edition, Emmy
Award-winning author Sheila Curran Bernard offers:
New strategies
for analyzing documentary work.
New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms)
Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).
New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms)
Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).
791.436 DYE
Like no other
book before it, this work delves into the deep, dark and mysterious undertones
hidden in Tinsel town s biggest films. Esoteric Hollywood is a game-changer in
an arena of tabloid-populated titles. After years of scholarly research, Jay
Dyer has compiled his most read essays, combining philosophy, comparative
religion, symbolism and geopolitics and their connections to film. Readers will
watch movies with new eyes, able to decipher on their own, as the secret
meanings of cinema are unveiled."
Race, gender, and sexuality in post-apocalyptic TV and film
791.4368228 GUR
This book
offers analyses of the roles of race, gender, and sexuality in the
post-apocalyptic visions of early twenty-first century film and television
shows. Contributors examine the production, reproduction, and re-imagination of
some of our most deeply held human ideals through sociological,
anthropological, historical, and feminist approaches.
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